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Charles Dickens
“Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless—something that it is good and pleasant to have there, and that should make the voyage prosperous—is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon.

At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, ‘Oh Walter, dearest love, I am so happy!’

Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely.

‘As I hear the sea,’ says Florence, ‘and sit watching it, it brings so many days into my mind. It makes me think so much—’

‘Of Paul, my love. I know it does.’

Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love—of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!”
Charles Dickens, Dombey and Son

Thomas Hardy
“Since the receipt of the missive in the morning, Boldwood had felt the symmetry of his existence to be slowly getting distorted in the direction of an ideal passion. The disturbance was as the first floating weed to Columbus—the contemptibly little suggesting possibilities of the infinitely great.”
Thomas Hardy, Far From the Madding Crowd

Charles Dickens
“With that he turned to go, and walking, bareheaded, to the outside of the little porch, took leave of her with such a happy mixture of unconstrained respect and unaffected interest, as no breeding could have taught, no truth mistrusted, and nothing but a pure and single heart expressed.

Many half-forgotten emotions were awakened in the sister’s mind by this visit. It was so very long since any other visitor had crossed their threshold; it was so very long since any voice of apathy had made sad music in her ears; that the stranger’s figure remained present to her, hours afterwards, when she sat at the window, plying her needle; and his words seemed newly spoken, again and again. He had touched the spring that opened her whole life; and if she lost him for a short space, it was only among the many shapes of the one great recollection of which that life was made.”
Charles Dickens, Dombey and Son

Thomas Hardy
“The insulation of his heart by reserve during these many years, without a channel of any kind for disposable emotion, had worked its effect. It has been observed more than once that the causes of love are chiefly subjective, and Boldwood was a living testimony to the truth of the proposition. No mother existed to absorb his devotion, no sister for his tenderness, no idle ties for sense. He became surcharged with the compound, which was genuine lover’s love.”
Thomas Hardy, Far From the Madding Crowd

Charles Dickens
“I want to know what it says,’ he answered, looking steadily in her face. ‘The sea’ Floy, what is it that it keeps on saying?’

She told him that it was only the noise of the rolling waves.

‘Yes, yes,’ he said. ‘But I know that they are always saying something. Always the same thing. What place is over there?’ He rose up, looking eagerly at the horizon.

She told him that there was another country opposite, but he said he didn’t mean that: he meant further away—farther away!

Very often afterwards, in the midst of their talk, he would break off, to try to understand what it was that the waves were always saying; and would rise up in his couch to look towards that invisible region, far away.”
Charles Dickens, Dombey and Son

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