Mena

“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
― Sally Rooney, Normal People

“I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
“Patroclus,” he said. He was always better with words than I.”
― Madeline Miller, The Song of Achilles

“Multiple times he has tried writing his thoughts about Marianne down on paper in an effort to make sense of them. He's moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann's Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-coloured spine. Her long fingers turning the pages. She's not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works... He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to recreate a precise copy of Marianne in print, as if he can preserve her completely for future review.”
― Sally Rooney, Normal People

“He smiled, and his face was like the sun.”
― Madeline Miller, The Song of Achilles