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Philip Gourevitch
“Brutality is boring. Over and over, hell night after hell night, the same old dumb, tedious, bestial routine: making men crawl; making men groan, hanging men from the bars; shoving men; slapping men; freezing men in the showers; running men into walls; displaying shackled fathers to their sons and sons to their fathers. And if it turned out that you'd been given the wrong man, when you were done making his life unforgettably small and nasty, you allowed him to be your janitor and pick up the other prisoners' trash.
There was always another prisoner, and another. Faceless men under hoods: you stripped them of their clothes, you stripped them of their pride. There wasn't much more you could take away from them, but people are inventive: one night some soldiers took a razor to one of Saddam's former general in Tier 1A and shaved off his eyebrows. He was an old man. "He looked like a grandfather and seemed like a nice guy," Sabrina Harman said, and she had tried to console him, telling him he looked younger and slipping him a few cigarettes. Then she had to make him stand at attention facing a boom box blasting the rapper Eminem, singing about raping his mother, or committing arson, or sneering at suicides, something like that⁠—these were some of the best-selling songs in American history.
"Eminem is pretty much torture all in himself, and if one person's getting tortured, everybody is, because that music's horrible," Harman said. The general maintained his bearing against the onslaught of noise. "He looked so sad," Harman said. "I felt so bad for the guy." In fact, she said, "Out of everything I saw, that's the worst." This seems implausible, or at least illogical, until you think about it. The MI block was a place where a dead guy was just a dead guy. And a guy hanging from a window frame or a guy forced to drag his nakedness over a wet concrete floor⁠—well, how could you relate to that, except maybe to take a picture? But a man who kept his chin up while you blasted him with rape anthems, and old man shorn of his eyebrows whose very presence made you think of his grandkids--you could let that get to you, especially if you had to share in his punishment: "Slut, you think I won't choke no whore / til the vocal cords don't work in her throat no more!..." or whatever the song was.”
Philip Gourevitch, Standard Operating Procedure

Tricia Copeland
“A thin smile spreads, and the image morphs into that of Lucifer. “You will not succeed. Darkness always prevails.”
Tricia Copeland, To be a Fae Guardian

Laura Ingalls Wilder
“The wagon went down from the bluffs into the wooded creek bottoms, and high in a treetop a mockingbird began to sing.
“I never heard a mockingbird sing so early,” said Ma, and Pa answered, softly, “He is telling us good-by.”
Laura Ingalls Wilder, Little House on the Prairie

Max Nowaz
“It’s the opportunity of a lifetime,” said Ito finally, who had been keeping very quiet
up to this point.
“Indeed. How much will it cost?” asked Brown
“About twenty million Interplanetary Credits,” said Demba. “A modest investment for
a man of your means.”
“Indeed,” said Brown again. That was all the money he had, which started to strike
him as strange, when his thoughts were interrupted.
“We’ll arrange a visit to the mine,” said Ito. “Show you the place itself.”
“Indeed,” said Brown. Or had he said that? The strange waking memory he had fallen
into started to become repetitive. Reality started to flow back in.
Diamonds, thought Brown. All those diamonds in that mine.”
Max Nowaz, The Arbitrator

C. Toni Graham
“Conner howled in pain, causing Shayna to quickly dismiss her own. Shayna dismissed her own discomfort. 
"Sorry about that. I guess I've smelled worse-like fur-lined boots that have been worn without socks. Now, that is pretty foul and—"
"Get them off! Take them off now! It burns!" shrieked Conner. He
attempted to jerk away, but Shayna held firm.
"I can't, Conner. You heard what Rileau said. I just can't!"
"It hurts really bad, like so unbelievably bad," he whined.
"I's going to be okay," she whispered repeatedly.

Shayna began humming and cooing as if he were a small child. She tried hard to block out his moans and focused on rocking him.  She held the wad of leaves firmly on the oozing blisters. She knew her friend was in pain, but she would not risk losing him, especially when she realized she could no longer hear Seneca screaming. The only sounds she heard came from Conner as he whimpered quietly next to her. Warm stinging tears cascaded down her cheeks, but she didn't dare wipe them, as she refused to lessen the pressure on the leaf compress.”
C. Toni Graham, Crossroads and the Dominion of Four

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