Oren Carranco

“Unbelievable and true. Anna Solokov is neither a frightened girl nor a criminal spider in the center of a huge web of drugs and god knows. No, that dangerous young woman could easily do both at different times, and to different people. No doubt that is part of George’s attraction to her. She is victim. Yet when necessary, or when it suits her, she is victimizer. Does he imagine he is battling for her soul?”
― Susan Rowland, Murder on Family Grounds

“The fuck is this shit?" it says. "Can you bloody believe this shit?" "No, honey," I say. "This is absolutely ridiculous." "Aren't you pissed the fuck off?" "Someone really should do something about this." "Why don't we bloody do something about it?" "Yeah, why don't we?" I say. "But how." "Well, we find whatever prick is in charge and give the fucker a piece of our minds, of course." ”
― Adam Scott Huerta, Motive Black

“Are you sure this will work?” asked Princess Sophie as she was pulling the cart away from Lady Ariana’s cottage.
“If you believe, it will work,” said Lady Ariana.”
― Mike Martin, Princess Sophie and the Christmas Elixir

“I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward. 
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined. 
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master