Buford Bondoc

“Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol.

'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed.

Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.”
― R.D. Ronald, The Elephant Tree

“This is not a long bridge, but it goes on for ever. I am not far from the bank, but I will never get there. I walk but I never move. Fast or slow, running, turning, doubling back, jumping, throwing myself or stopping; nothing makes any difference.”
― Iain Banks, The Bridge

“How much [vastly {immensely (unfathomably) tremendously}...] Anwar loves [t]his child. It continues to take him by surprise [even when she confounds him with the havoc of her room {for example} which she will proudly describe {defend!} as clean {those beautiful messes (beautiful even today)} even as {in the next moment} she will astonish Anwar with her fearless interest in life {despite the harrowing blows life continues to deliver her (and so delivers to Anwar...)}].”
― Mark Z. Danielewski, One Rainy Day in May

“When one thinks of 'matrices' and 'codes' it is sometimes helpful to bear these figures in mind. The matrix is the pattern before you, representing the ensemble of permissible moves. The code which governs the matrix can be put into simple mathematical equations which contain the essence of the pattern in a compressed, 'coded' form; or it can be expressed by the word 'diagonals'. The code is the fixed, invariable factor in a skill or habit; the matrix its variable aspect. The two words do not refer to different entities, they refer to different aspects of the same activity. When you sit in front of the chessboard your code is the rule of the game determining which moves are permitted, your matrix is the total of possible choices before you. Lastly, the choice of the actual move among the variety of permissible moves is a matter of strategy, guided by the lie of the land-the 'environment' of other chessmen on the board. We have seen that comic effects are produced by the sudden clash of incompatible matrices: to the experienced chess player a rook moving bishopwise is decidedly 'funny'.”
― Arthur Koestler, The Act of Creation