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Vladimir Nabokov
“Annabel was, like the writer, of mixed parentage: half-English, half-Dutch, in her case. I remember her features far less distinctly today than I did a few years ago, before I knew Lolita. There are two kinds of visual memory: one when you skillfully recreate an image in the laboratory of your mind, with your eyes open (and then I see Annabel in such general terms as: "honey-colored skin," "thin arms," "brown bobbed hair," "long lashes," "big bright mouth"); and the other when you instantly evoke, with shut eyes, on the dark innerside of your eyelids, the objective, absolutely optical replica of a beloved face, a little ghost in natural colors (and this is how I see Lolita).”
― Vladimir Nabokov, Lolita

“The guard looked down at the scarlet bloodstains blooming on his chest. He appeared to think of something that he needed to say, but as his lips began to form the words, his knees gave up the strain of supporting his ruined bulk. He collapsed to the floor, his throat issuing a final sound like a bubbling casserole.”
― R.D. Ronald, The Zombie Room

Sara Pascoe
“I have decided it's my mind that's woman. It's my narrator. It's my relationship to myself, and oddly, nothing at all to do with my body.”
― Sara Pascoe

Douglas Adams
“In astrology the rules happen to be about stars and planets, but they could be about ducks and drakes for all the difference it would make. It's just a way of thinking about a problem which lets the shape of that problem begin to emerge. The more rules, the tinier the rules, the more arbitrary they are, the better. It's like throwing a handful of fine graphite dust on a piece of paper to see where the hidden indentations are. It lets you see the words that were written on the piece of paper above it that's now been taken away and hidden. The graphite's not important. It's just the means of revealing the indentations. So you see, astrology's nothing to do with astronomy. It's just to do with people thinking about people.”
― Douglas Adams, Mostly Harmless

Umberto Eco
“True,' I said, amazed. Until then I had thought each book spoke of the things, human or devine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then a place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.”
― Umberto Eco, The Name of the Rose

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