Grant Elderkin

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Sylvia Plath
“The slime of all my yesterdays rots in the hollow of my skull.”
Sylvia Plath, The Unabridged Journals of Sylvia Plath

Mark Z. Danielewski
“Desire and pain communicated in the vague language of sex.”
Mark Z. Danielewski, House of Leaves

Alan Paton
“Have you a room that you could let?"
"Yes, I have a room that I could let, but I do not want to let it. I have only two rooms, and there are six of us already, and the boys and girls are growing up. But school books cost money, and my husband is ailing, and when he is well it is only thirty-five shillings a week. And six shillings of that is for the rent, and three shillings of that is for the rent, and three shillings for travelling, and a shilling that we may all be buried decently, and a shilling for the books, and three shillings is for clothes and that is little enough, and a shilling for my husband's beer, and a shilling for his tobacco, and these I do not grudge for he is a decent man and does not gamble or spend his money on other women, and a shilling for the Church, and a shilling for sickness. And that leaves seventeen shillings for food for six, and we are always hungry. Yes I have a room but I do not want to let it. How much could you pay?"
"I could pay three shillings a week for the room."
"And I would not take it."
"Three shillings and sixpence."
"Three shillings and sixpence. You can't fill your stomach on privacy. You need privacy when your children are growing up, but you can't fill your stomach on it. Yes, I shall take three shillings and sixpence.”
Alan Paton, Cry, the Beloved Country

Kelly Braffet
“Caro needed to be important. It was boring and typical and transparent as hell, even to her, but she couldn’t turn it off any more than she could quit having arms.”
Kelly Braffet, Save Yourself

Boris Vian
“Dans la vie, l’essentiel est de porter sur tout des jugements à priori. Il apparaît, en effet, que les masses ont tort, et les individus toujours raison. Il faut se garder d’en déduire des règles de conduite : elles ne doivent pas avoir besoin d’être formulées pour qu’on les suive. Il y a seulement deux choses : c’est l’amour, de toutes les façons, avec des jolies filles, et la musique de la Nouvelle-Orléans ou de Duke Ellington. Le reste devrait disparaître, car le reste est laid, et les quelques pages de démonstration qui suivent tirent toute leur force du fait que l’histoire est entièrement vraie, puisque je l’ai imaginée d’un bout à l’autre. Sa réalisation matérielle proprement dite consiste essentiellement en une projection de la réalité, en atmosphère biaise et chauffée, sur un plan de référence irrégulièrement ondulé et présentant de la distorsion. On le voit, c’est un procédé avouable, s’il en fut.”
Boris Vian, L'écume des jours

year in books
Vanessa...
118 books | 22 friends

Ramon B...
177 books | 13 friends

Dagmar ...
133 books | 36 friends

Racheal...
169 books | 27 friends


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