Yon Beachamp

“Are you afraid?” he asked moving his chair directly in front of her. “Should I be?” she answered getting her courage back. She stood about to dart away, but Vaselik stopped her, took her hands and studied them intently.”
― Beverly Magid, Sown in Tears: A Historical Novel of Love and Struggle

“The symptoms of a writer who hasn’t found their way clear of the needs of Self yet are easy to spot. I should say the symptoms are easy for everyone else to spot, that is, and not so easy for the writer themself to see. You’ll see a writer who does not trust the characters to speak and move on their own, but has to puppeteer them; a writer who does not trust the reader to understand what’s written. One who must insert parentheticals in various forms to explain the work to the reader; flashbacks to explain; big black blocks of text on the page to explain; question-and-answer dialog between characters who aren’t in a courtroom; walk-and-talk characters with their mouths full of dialog of what the story is about; too many stage directions that make the script read like a novel…”
― Dan Joseph Decker, ANATOMY OF A SCREENPLAY THIRD EDITION

“Are you really a reporter?” asked Brown.
“You already asked me that. Come back to Levita, take the pardon.”
 “I doubt I’ll live long enough to get there,” said Brown bitterly.
“I hope you survive. You are a fighter. And we have the antidote for your habit on
Levita. I suggest you take a vacation. There’s nothing much that’s going to happen here.”
With that she left, leaving Brown more confused than ever.
He was a father, he had a son. And, the Levitians had a cure for his drug-addled body.”
― Max Nowaz, The Arbitrator

“I don’t think so, said the captain. Their ship is clearly outfitted with weapons systems that it did not have when it left Terrene over 600 years ago. And they are pointed directly at us.”
― Steven Decker, The Balance of Time