Kristopher Freeh

“And all at once she was elated. Where were the terrors she'd been told she should expect? She could not recognize them anywhere. The sweet earth opened out its wide four corners to her like the petals of a flower ready to be picked, and it shimmered with light and possibility till she was dizzy with it. [...] Why, she too, might live forever in this remarkable world she was only just discovering!”
― Natalie Babbitt, Tuck Everlasting

“The Radaune pounded along against the muddy tide that knew but one direction, deftly avoiding sandbanks with the aid of constantly changing pilots. To right and left, beyond the dikes, the same flat landscape with occasional hills, already harvested. Hedges, sunken lanes, a hollow basin with broom, a level plain between the scattered farms, just made for cavalry attacks, for a division of uhlans to wheel in from the left onto the sand table, for hedge-vaulting hussars, for the dreams of young cavalry officers, for battles long past and battles yet to come, for an oil painting: tartars leaning forward, dragoons rearing up, Brethren of the Sword falling, grandmasters staining their noble robes, not a button missing from their cuirasses, save for one, struck down by the Duke of Mazowsze, and horses, no circus has horses so white, nervous, covered with tassels, sinews rendered with precision, nostrils flaring, crimson, snorting small clouds impaled by lowered lances decked with pennants, and parting the heavens, the sunset’s red glow, the sabers, and there, in the background—for every painting has a background—clinging tightly to the horizon, with smoke rising peacefully, a small village between the hind legs of the black stallion, crouching cottages, moss-covered, thatched, and inside the cottages, held in readiness, the pretty tanks, dreaming of days to come when they too would be allowed to enter the picture, to come out onto the plain beyond the Vistula’s dikes, like slender colts among the heavy cavalry.”
― Günter Grass, The Tin Drum

“Every day that passed, the young woman thought more and understood less”
― Sergio Cobo, A Story of Yesterday

“Look, suffering doesn’t make you better, it just makes you suffer!”
― Art Spiegelman, MetaMaus: A Look Inside a Modern Classic, Maus