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William Gibson
“but he isn’t crazy. Just obsessed. And the obsession has its own shape in his head, its own texture, its own weight. He knows it from himself, can differentiate, so he goes back to it whenever he needs to and checks on it. Monitors it. Makes sure it still isn’t him.”
William Gibson, All Tomorrow's Parties

William Gibson
“Perhaps he has been too long in the pay and the company of those who order the wider world. Those whose mills grind increasingly fine, toward some unimaginable omega-point of pure information, some prodigy perpetually on the brink of arrival. Which he senses somehow will never now arrive, or not in the form his career’s employers have imagined.”
William Gibson, All Tomorrow's Parties

William Gibson
“It’s what we do now instead of bohemias,” he says. “Instead of what?” “Bohemias. Alternative subcultures. They were a crucial aspect of industrial civilization in the two previous centuries. They were where industrial civilization went to dream. A sort of unconscious R&D, exploring alternate societal strategies. Each one would have a dress code, characteristic forms of artistic expression, a substance or substances of choice, and a set of sexual values at odds with those of the culture at large. And they did, frequently, have locales with which they became associated. But they became extinct.” “Extinct?” “We started picking them before they could ripen. A certain crucial growing period was lost, as marketing evolved and the mechanisms of recommodification became quicker, more rapacious. Authentic subcultures required backwaters, and time, and there are no more backwaters. They went the way of geography in general. Autonomous zones do offer a certain insulation from the monoculture, but they seem not to lend themselves to recommodification, not in the same way. We don’t know why exactly.”
William Gibson, All Tomorrow's Parties

William Gibson
“He feels it as a single indescribable shape, something brailled out for him against a ground or backdrop of he knows not what, and it hurts him, in the poet’s phrase, like the world hurts God.”
William Gibson, All Tomorrow's Parties

Violet Trefusis
“Heaven preserve me from littleness and pleasantness and smoothness. Give me great glaring vices, and great glaring virtues, but preserve me from the neat little neutral ambiguities. Be wicked, be brave, be drunk, be reckless, be dissolute, be despotic, be a suffragette, be anything you like, but for pity's sake be it to the top of your bent. Live fully, live passionately, live disastrously. Let's live, you and I, as none have ever lived before.
(- to Vita Sackville-West, October 25, 1918)”
Violet Trefusis, Violet to Vita: The Letters of Violet Trefusis to Vita Sackville-West, 1910-1921

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