Masako Hamons

“Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.”
― Sherman Alexie, Face

“The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.

All business and politics is personal in the Philippines.

If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.

They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.

I'm not lazy. I'm just motivationally challenged.

I'm not fat. I just have lots of stored energy.

You don't get it do you? What people think of you matters more than the reality. Marilyn.

Despite standing firm at the final hurdle Marilyn was always ready to run the race.

After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.

It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.

He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.

The banality of truth somehow always surprises the news media before they tart it up.

You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]

Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.

You could call the Oval Office an information rain shadow.

In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.

There's honest and dishonest corruption in this country.

Don't enjoy it too much for it's what we love that usually kills us.

The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.

The Philippines is like a woman. You love her and hate her at the same time.

I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.

Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.

Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.

Tsismis or rumours grow in this land like tropical weeds.

Surprises are so common here that nothing is surprising.

A crooked leader who can lead is better than a crooked one who can't.

Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.

It [Australia] is the country that does the least with the most.

Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.

Didn't your mother ever tell you never to trust a man who doesn't drink?

She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.”
― John Richard Spencer

“Spleen

Je suis comme le roi d'un pays pluvieux,
Riche, mais impuissant, jeune et pourtant très vieux,
Qui, de ses précepteurs méprisant les courbettes,
S'ennuie avec ses chiens comme avec d'autres bêtes.
Rien ne peut l'égayer, ni gibier, ni faucon,
Ni son peuple mourant en face du balcon.
Du bouffon favori la grotesque ballade
Ne distrait plus le front de ce cruel malade;
Son lit fleurdelisé se transforme en tombeau,
Et les dames d'atour, pour qui tout prince est beau,
Ne savent plus trouver d'impudique toilette
Pour tirer un souris de ce jeune squelette.
Le savant qui lui fait de l'or n'a jamais pu
De son être extirper l'élément corrompu,
Et dans ces bains de sang qui des Romains nous viennent,
Et dont sur leurs vieux jours les puissants se souviennent,
II n'a su réchauffer ce cadavre hébété
Où coule au lieu de sang l'eau verte du Léthé

//

I'm like the king of a rain-country, rich
but sterile, young but with an old wolf's itch,
one who escapes his tutor's monologues,
and kills the day in boredom with his dogs;
nothing cheers him, darts, tennis, falconry,
his people dying by the balcony;
the bawdry of the pet hermaphrodite
no longer gets him through a single night;
his bed of fleur-de-lys becomes a tomb;
even the ladies of the court, for whom
all kings are beautiful, cannot put on
shameful enough dresses for this skeleton;
the scholar who makes his gold cannot invent
washes to cleanse the poisoned element;
even in baths of blood, Rome's legacy,
our tyrants' solace in senility,
he cannot warm up his shot corpse, whose food
is syrup-green Lethean ooze, not blood.

— Robert Lowell, from Marthiel & Jackson Matthews, eds., The Flowers of Evil (NY: New Directions, 1963)”
― Charles Baudelaire, Les Fleurs du Mal

“I had always thought it was her way of blinding herself to the messiness of the way we lived. Now I realised it was easier for her mind to go out through the air far above the clouds than to acknowledge the ugliness right before her eyes.”
― Lisa See, Snow Flower and the Secret Fan