“A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.”
― The Waste Land
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.”
― The Waste Land
“Hours passed—or maybe days. It didn’t matter. The body adapted. But the mind—
The mind needed purpose.
”
― The Dog Walker: The Prequel
The mind needed purpose.
”
― The Dog Walker: The Prequel
“Whither be the heart of Justice?
Lo, in stone, child. Lo, in stone.
Whither be the heart of Justice?
Lo, tis fast in stone.”
― Sheever's Journal, Diary of a Poison Master
Lo, in stone, child. Lo, in stone.
Whither be the heart of Justice?
Lo, tis fast in stone.”
― Sheever's Journal, Diary of a Poison Master
“I sat on the rocks and thought about the fact that across the water were lands where women were free.”
― I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban
― I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban
“I came to regard my body in a new light. For the first time I apprehended the little mounds on my chest as teats for the suckling of young, and their physical resemblance to udders on cows or the swinging distensions on lactating hounds was suddenly unavoidable. Funny how even women forget what breasts are for.
The cleft between my legs transformed as well. It lost a certain outrageousness, an obscenity, or achieved an obscenity of a different sort. The flaps seemed to open not to a narrow, snug dead end, but to something yawning. The passageway itself became a route to somewhere else, a real place, and not merely to a darkness in my mind. The twist of flesh in front took on a devious aspect, its inclusion overtly ulterior, a tempter, a sweetener for doing the species' heavy lifting, like the lollipops I once got at the dentist.”
― We Need to Talk About Kevin
The cleft between my legs transformed as well. It lost a certain outrageousness, an obscenity, or achieved an obscenity of a different sort. The flaps seemed to open not to a narrow, snug dead end, but to something yawning. The passageway itself became a route to somewhere else, a real place, and not merely to a darkness in my mind. The twist of flesh in front took on a devious aspect, its inclusion overtly ulterior, a tempter, a sweetener for doing the species' heavy lifting, like the lollipops I once got at the dentist.”
― We Need to Talk About Kevin
Arthur’s 2024 Year in Books
Take a look at Arthur’s Year in Books, including some fun facts about their reading.
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