Steven Moma

“You see, writers traveling to Southeast Asia visit indigenous communities. No writing quest will be complete without some cross-cultural comparisons. This exercise is a decisive moment in every author’s life. Equate it to a photographer meeting his first old man with a wrinkled face or the old lady with heavy earrings dangling from her earlobes.”
― Merlin Franco, Saint Richard Parker

“A shadow moved in the street below and my mind became focused on the movement. This shadow caught my attention because it moved so quickly. Usually when people remained in the shadows they moved slowly, unless they were running from something and then the sound of running could be heard. I did”
― Eli Wilde, My Unbeating Heart

“You are such a tease, Remy—you just love to lead every guy on. Don’t you? But you’re the one who’s going to get hurt. Logan is a player. Trust me, I know him and his kind.”
― Hope Worthington, Shifting Moon: Shifting Moon Saga, Book 1

“The only clarity – if oppressive fog could ever be clarity – was the violent, throbbing, boiling agony pressing her against the ground.
There were sounds, too: shouting, screaming, banging, thudding, squawking, chittering.
It hurt to breathe.
“No snake! No snake!” A woman’s voice shrilled.
“Christ sake! Let the bloody thing out. That one, too.” A man’s voice, shouting – bellowing – commands.
A hand lifted her wrist, and through the torment of pain, she realised that fingers were releasing her watch strap.”
― Miriam Verbeek, The Forest: A thrilling international crime novel