Emily Li

“We’re all seeking that special person who is right for us. But if you’ve been through enough relationships, you begin to suspect there’s no right person, just different flavors of wrong. Why is this? Because you yourself are wrong in some way, and you seek out partners who are wrong in some complementary way. But it takes a lot of living to grow fully into your own wrongness. And it isn’t until you finally run up against your deepest demons, your unsolvable problems—the ones that make you truly who you are—that we’re ready to find a lifelong mate. Only then do you finally know what you’re looking for. You’re looking for the wrong person. But not just any wrong person: it's got to be the right wrong person—someone you lovingly gaze upon and think, “This is the problem I want to have.”

I will find that special person who is wrong for me in just the right way.”
― Andrew Boyd, Daily Afflictions: The Agony of Being Connected to Everything in the Universe

“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
― Brian Eno, A Year With Swollen Appendices

“When Werner wakes, it’s well past dawn. His head aches and his eyeballs feel heavy. Frederick is already dressed, wearing trousers, an ironed shirt, and a necktie, kneeling against the window with his nose against the glass. “Gray wagtail.” He points. Werner looks past him into the naked lindens. “Doesn’t look like much, does he?” murmurs Frederick. “Hardly a couple of ounces of feathers and bones. But that bird can fly to Africa and back. Powered by bugs and worms and desire.”
― Anthony Doerr, All the Light We Cannot See

“Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.”
― Mark Z. Danielewski, House of Leaves