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Mark Helprin
“Guariglia went to his children, who were playing by the brazier. "Look at them," he said. "I know they may not be as beautiful to you as they are to me..."
"They are," Alessandro interrupted.
"No," Guariglia insisted, "they're not beautiful in that way, but to me, Alessandro, they are all that is good and holy. I didn't know God until I saw them. It's funny, as soon as you lose faith, you have children, and life reawakens.”
Mark Helprin, A Soldier of the Great War

Scott Westerfeld
“Everyone in the world was programmed by the place they were born, hemmed in by their beliefs, but you had to at least try to grow your own brain.”
Scott Westerfeld, Pretties

Jack London
“The hand descended. Nearer and nearer it came. It touched the ends of his upstanding hair. He shrank down under it. It followed down after him, pressing more closely against him. Shrinking, almost shivering. He still managed to hold himself together. It was a torment, this hand that touched him and violated his instinct. He could not forget in a day all the evil that had been wrought him at the hands of men.”
Jack London, White Fang

Mark Z. Danielewski
“We both thrive in the late hours, appreciate its sad taste and never get in the way of each other's dreams, even though Lude just wants more money, better parties and prettier girls and I want something else. I'm not even sure what to call it anymore except I know it feels roomy and it's drenched in sunlight and it's weightless and I know it's not cheap.

Probably not even real.”
Mark Z. Danielewski, House of Leaves

Michael Chabon
“Literature, like magic, has always been about the handling of secrets, about the pain, the destruction, and the marvelous liberation that can result when they are revealed. Telling the truth when the truth matters most is almost always a frightening prospect. If a writer doesn't give away secrets, his own or those of the people he loves; if she doesn't court disapproval, reproach, and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth.”
Michael Chabon, Maps and Legends: Reading and Writing Along the Borderlands

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