Phillip Whitacker

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Miriam Verbeek
“The joey, large-eyed and gangly in the way of almost all young animals, frisked about. He – she – it (Saskia couldn’t tell what sex) batted its front paws at its mother – who straightened from her feeding with a look of resigned patience to fend off the tiny fists before reaching out and enfolding the youngster in her arms. The joey melted into her embrace, touching its nose against her mouth. Saskia took several photos, letting out a small “oooh!” at the cuteness of the interaction. The youngster hopped away and leapt into the air with twists that could be for no other reason than the joy of doing them. Suddenly, it returned to the doe and, once again, interrupted her grazing by thrusting its head into her pouch.”
Miriam Verbeek, The Forest: A thrilling international crime novel

Elizabeth Tebby Germaine
“This sounds admirable! I do so much admire what you are doing. Using this wonderful old house.”
Elizabeth Tebby Germaine, A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness

“Routine had become rhythm. Rhythm had become identity.”
D.L. Maddox, The Dog Walker: The Prequel

Adam Scott Huerta
“I understand more that pain is evidence to our awakening to truth and also a measure of closeness to truth.”
Adam Scott Huerta, Motive Black

Andri E. Elia
“He totally lost it. Here comes the apoplexy.”
Andri E. Elia, Yildun: Worldmaker of Yand

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