Tara Rhoseyn

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David Wallace-Wells
“In fact, the belief that climate could be plausibly governed, or managed, by any institution or human instrument presently at hand is another wide-eyed climate delusion. The planet survived many millennia without anything approaching a world government, in fact endured nearly the entire span of human civilization that way, organized into competitive tribes and fiefdoms and kingdoms and nation-states, and only began to build something resembling a cooperative blueprint, very piecemeal, after brutal world wars—in the form of the League of Nations and United Nations and European Union and even the market fabric of globalization, whatever its flaws still a vision of cross-national participation, imbued with the neoliberal ethos that life on Earth was a positive-sum game. If you had to invent a threat grand enough, and global enough, to plausibly conjure into being a system of true international cooperation, climate change would be it—the threat everywhere, and overwhelming, and total. And yet now, just as the need for that kind of cooperation is paramount, indeed necessary for anything like the world we know to survive, we are only unbuilding those alliances—recoiling into nationalistic corners and retreating from collective responsibility and from each other. That collapse of trust is a cascade, too.”
David Wallace-Wells, The Uninhabitable Earth: Life After Warming

“Faced with the prospect of a black depression, Highsmith once again retreated into fantasy, dreaming about an affair with the actress Anne Meacham, whose picture she had seen in a magazine publicising her role in the Tennessee Williams' play, In the Bar of a Tokyo Hotel. After the disasters of recent years, she reckoned that the safest option was to escape into romantic imagination. She reviewed her failures over the past five years and concluded that 'the moral is: stay alone. Any idea of any close relationship should be imaginary, like any story I am writing. This way no harm is done to me or to any other person'.”
Andrew Wilson, Patricia Highsmith, ζωή στο σκοτάδι

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