Merlin Frey

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Laura Hillenbrand
“But on Kwajalein, the guards sought to deprive them of something that had sustained them even as all else had been lost: dignity. This self-respect and sense of self-worth, the innermost armament of the soul, lies at the heart of humanness; to be deprived of it is to be dehumanized, to be cleaved from, and cast below, mankind.”
Laura Hillenbrand, Unbroken: A World War II Story of Survival, Resilience and Redemption

Kate Chopin
“Step by step she lived over every instant of the time she had been with Robert... She recalled his words, his looks. How few and meager they had been for her hungry heart! ... She wondered when he would come back. He had not said he would come back. She had been with him had heard his voice and touched his hand. But some way he had seemed nearer to her off there in Mexico.”
Kate Chopin, The Awakening

Carson McCullers
“He felt as though he had swelled up to the size of a giant. The love in him made his chest a dynamo, and he wanted to shout so that his voice could be heard throughout the town. He wanted to fall upon the floor and call out in a giant voice.”
Carson McCullers, The Heart Is a Lonely Hunter

Kyle Keyes
“Phil, we're the laughing stock of the nation,"
    said Hobbs Creek mayor to police chief, "We
    have a cop who faints at the sight of blood!”
Kyle Keyes, Under the Bus

Donald Miller
“If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another. ”
Donald Miller, A Million Miles in a Thousand Years: What I Learned While Editing My Life

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