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A Feast for Crows
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Too Much of Life:...
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  (page 300 of 752)
Dec 03, 2025 06:17AM

 
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Andrea Dworkin
“His death, of course, is unbearable. His death is intolerable, unspeakable, unfair, insufferable; I agree; I learned it since the day I was born; terrible; his death is terrible; are you crazy; are you stupid; are you cruel? It's absurd; it's silly; unjustified; uncivilized; crazed; another madwoman, where's the attic? He didn't mean it; or he didn't do it, not really, or not fully, or not knowing, or not intending; he didn't understand; or he couldn't help it; or he won't again; certainly he will try not to; unless; well; he just can't help it; be patient; he needs help; sympathy; over time. Yes, her ass is grass but you can't expect miracles, it takes time, she wasn't perfect either you know; he needs time, education, help, support; yeah, she's dead meat; but you can't expect someone to change right away, overnight, besides she wasn't perfect, was she, he needs time, help, support, education; well, yeah, he was out of control; listen, she's lucky it wasn't worse, I'm not covering it up or saying what he did was right, but she's not perfect, believe me, and he had a terrible mother; yeah, I know, you had to scrape her off the ground; but you know, she wasn't perfect either, he's got a problem; he's human, he's got a problem. Oh, darling, no; he didn't have a problem before; now he's got a problem. I am on this earth to see that now he has a problem. It is very important for women to kill men; he's got a problem now.”
Andrea Dworkin, Mercy

Gail Dines
“To be “unmanly” is, of course, within our gender binary system, to be feminine, and here lies the essence of gender socialization for males: they need, at all times, to distance themselves as much as possible from anything constructed by the culture as feminine. The feminine hence becomes feared—and that which we fear, we also learn to despise.”
Gail Dines, Pornland: How Porn Has Hijacked Our Sexuality

Gail Dines
“For some, measuring porn’s real-world effects boils down to one extreme and ultimately misleading question: “Does it lead to rape?” What is overlooked here is the more subtle question of how porn shapes the culture and the men who use it. No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a nonrapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.”³ Neither Dworkin nor MacKinnon, pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology.”
Gail Dines, Pornland: How Porn Has Hijacked Our Sexuality

Jennifer   Lynch
“I am trapped inside a part of me I hate. A hard, masculine part of myself that has surfaced to fight, after small memories and scars come out of me with a suddenness that is sobering as well as horrifying-and I fight to save the Laura I wish I could be again. The one everyone thinks is still around. Me in a sundress, hair in the wind, and a smile engraved into my cheeks by the sharp fear that a man may visit me at any moment this evening and try to kill me.”
Jennifer Lynch, The Secret Diary of Laura Palmer

A.B. Poranek
“She had a warmth, a light, that drew me into her orbit—I was a moth and she a flame, I the tides and she the moon. Whatever we were, she was always, always the light, and I the thing skulking in the dark.”
A.B. Poranek, A Treachery of Swans

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