Jonathan Katabira

“When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.”
― Simone de Beauvoir, The Second Sex

“He could not stand. It was not
That he could not thrive, he was born
With everything but the will –
That can be deformed, just like a limb.
Death was more interesting to him.
Life could not get his attention.”
― Ted Hughes, Season songs

“Nobody wanted your dance,
Nobody wanted your strange glitter, your floundering
Drowning life and your effort to save yourself,
Treading water, dancing the dark turmoil,
Looking for something to give.”
― Ted Hughes, Birthday Letters

“Today the culture sees the fact that she wasn’t a mascot of ethnic pride as a demerit rather than an invitation to understand how discriminatory this world once was.”
― Mayukh Sen, Love, Queenie: Merle Oberon, Hollywood's First South Asian Star