“Go to bed, you fool," Calcifer said sleepily. "You're drunk."
"Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.”
― Howl's Moving Castle
"Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.”
― Howl's Moving Castle
“Great holes secretly are digged where earth’s pores ought to suffice, and things have learnt to walk that ought to crawl.”
― The Festival
― The Festival
“I want to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.”
― Owls and Other Fantasies: Poems and Essays
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.”
― Owls and Other Fantasies: Poems and Essays
“The Woman Who Could Not Live With Her Faulty Heart
I do not mean the symbol
of love, a candy shape
to decorate cakes with,
the heart that is supposed
to belong or break;
I mean this lump of muscle
that contracts like a flayed biceps,
purple-blue, with its skin of suet,
its skin of gristle, this isolate,
this caved hermit, unshelled
turtle, this one lungful of blood,
no happy plateful.
All hearts float in their own
deep oceans of no light,
wetblack and glimmering,
their four mouths gulping like fish.
Hearts are said to pound:
this is to be expected, the heart’s
regular struggle against being drowned.
But most hearts say, I want, I want,
I want, I want. My heart
is more duplicitous,
though to twin as I once thought.
It says, I want, I don’t want, I
want, and then a pause.
It forces me to listen,
and at night it is the infra-red
third eye that remains open
while the other two are sleeping
but refuses to say what it has seen.
It is a constant pestering
in my ears, a caught moth, limping drum,
a child’s fist beating
itself against the bedsprings:
I want, I don’t want.
How can one live with such a heart?
Long ago I gave up singing
to it, it will never be satisfied or lulled.
One night I will say to it:
Heart, be still,
and it will.”
― Two-Headed Poems
I do not mean the symbol
of love, a candy shape
to decorate cakes with,
the heart that is supposed
to belong or break;
I mean this lump of muscle
that contracts like a flayed biceps,
purple-blue, with its skin of suet,
its skin of gristle, this isolate,
this caved hermit, unshelled
turtle, this one lungful of blood,
no happy plateful.
All hearts float in their own
deep oceans of no light,
wetblack and glimmering,
their four mouths gulping like fish.
Hearts are said to pound:
this is to be expected, the heart’s
regular struggle against being drowned.
But most hearts say, I want, I want,
I want, I want. My heart
is more duplicitous,
though to twin as I once thought.
It says, I want, I don’t want, I
want, and then a pause.
It forces me to listen,
and at night it is the infra-red
third eye that remains open
while the other two are sleeping
but refuses to say what it has seen.
It is a constant pestering
in my ears, a caught moth, limping drum,
a child’s fist beating
itself against the bedsprings:
I want, I don’t want.
How can one live with such a heart?
Long ago I gave up singing
to it, it will never be satisfied or lulled.
One night I will say to it:
Heart, be still,
and it will.”
― Two-Headed Poems
“I am a believer in free will. If my dog chooses to hate the whole human race except myself, it must be free to do so.”
― Castle in the Air
― Castle in the Air
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