Taylor Cunningham

“It was the first time that we had sort of articulated our major problem. She wanted to die and I wanted her to live and we were enemies who loved each other.”
― Miriam Toews, All My Puny Sorrows

“Queer indispensability?” Manal asks.
“It’s a concept I heard about at a play I went to a few months ago—a solo performance piece by a queer Sri Lankan trans man,” I tell her. “At one point, he talked about something he noticed, not only in himself, but in his queer friends and com“community—this way in which queer people tend to make themselves indispensable in their relationships and friendships. They’re so afraid of being left that they make themselves unleavable.”
― Lamya H., Hijab Butch Blues

“I know that I stopped thinking about extreme grief as the sole vehicle for great art when the grief started to take people with it. And I get it. The tortured artist is the artist that gets remembered for all time, particularly if they if they either perish or overcome. But the truth is that so many of us are stuck in the middle. So many of us begin tortured and end tortured, with only brief bursts of light in between, and I'd rather have average art and survival than miracles that come at the cost of someone's life.”
― Hanif Willis-Abdurraqib, They Can't Kill Us Until They Kill Us: Essays