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Jeffrey Eugenides
“We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm. And we had to smear our muzzles in their last traces, of mud marks on the floor, trunks kicked out from under them, we had to breathe forever the air of the rooms in which they killed themselves.”
Jeffrey Eugenides, The Virgin Suicides

Angela Carter
“I will vanish in the morning light; I was only an invention of darkness. And I leave you as a souvenir the dark, fanged rose I plucked from between my thighs, like a flower laid on a grave.”
Angela Carter, The Bloody Chamber and Other Stories

Simone de Beauvoir
“When someone you love dies you pay for the sin of outliving her with a thousand piercing regrets.”
Simone de Beauvoir, A Very Easy Death

Emily Brontë
“Hareton, with a streaming face, dug green sods, and laid them over the brown mould himself: at present it is as smooth and verdant as its companion mounds—and I hope its tenant sleeps as soundly. But the country folks, if you ask them, would swear on the Bible that he walks: there are those who speak to having met him near the church, and on the moor, and even within this house. Idle tales, you’ll say, and so say I. Yet that old man by the kitchen fire affirms he has seen two figures looking out of his chamber window on every rainy night since his death:—and an odd thing happened to me about a month ago. I was going to the Grange one evening—a dark evening, threatening thunder—and, just at the turn of the Heights, I encountered a little boy with a sheep and two lambs before him; he was crying terribly; and I supposed the lambs were skittish, and would not be guided.

“What is the matter, my little man?” I asked.

“There’s Heathcliff and a woman there under the hill,” he blubbered, “an’ I daren't pass ’em.”

I saw nothing; but neither the sheep nor he would go on, so I bid him take the road lower down.”
Emily Brontë, Wuthering Heights

Angela Carter
“And when nothing but my scarlet, palpitating core remained, I saw, in the mirror, the living image of an etching by Rops from the collection he had shown me... the child with her sticklike limbs, naked but for her button boots, her gloves, shielding her face with her hand as though her face were the last repository of her modesty; and the old, monocled lecher who examined her, limb by limb. He in his London tailoring; she, bare as a lamb chop. Most pornographic of all confrontations. And so my purchaser unwrapped his bargain.”
Angela Carter, The Bloody Chamber and Other Stories

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