Ernest Spoon

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“The Secret Service was still overwhelmingly an agency of cops who preferred long prison sentences for bad guys rather than sentencing reform, who, like Trump, tended to speak dismissively about women, minorities, and immigrants. A large number of the Service’s agents and officers, unlike so many other career civil servants in Washington, were pleased to see the man who spoke their language step onto the White House’s North Portico on Inauguration Day to enter his new home.”
Carol Leonnig, Zero Fail: The Rise and Fall of the Secret Service

“What few realized was that clusters of agents, including some on Trump’s detail, were openly rooting for Trump, a fact hiding in plain sight. On Facebook and other forums, some of these public servants who promised to be above party were promoting Trump’s debunked conspiracy theories”
Carol Leonnig, Zero Fail: The Rise and Fall of the Secret Service

Craig Whitlock
“After a decade of U.S. wars and surging defense budgets, an expectation of special treatment had taken root in the Navy. Many officers felt they were owed something extra for enduring long deployments at sea and missions to support the fighting in Iraq and Afghanistan. The American people fed such attitudes by placing uniformed personnel on a pedestal, thanking them for their service with discounts and freebies. The further one got from Washington, the easier it became to stretch the norms of acceptable conduct. In Asia, Navy officers pocketed favors they knew would be taboo at home.”
Craig Whitlock, Fat Leonard: How One Man Bribed, Bilked, and Seduced the U.S. Navy

Joe Abercrombie
“Men born to peace and privilege often crave the approval of the violent.”
Joe Abercrombie, The Devils

Charlie English
“In this sense, Hitler´s painting supports [Hannah] Arendt´s theory of National Socialism--that it was defined by its banality and lack of empathy. The Nazis relied on the ability of people not to imagine themselves in someone else´s shoes. The lack of a connection was very much the point.”
Charlie English, The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler's War on Art

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