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Hermann Hesse
“So she thoroughly taught him that one cannot take pleasure without giving pleasure, and that every gesture, every caress, every touch, every glance, every last bit of the body has its secret, which brings happiness to the person who knows how to wake it. She taught him that after a celebration of love the lovers should not part without admiring each other, without being conquered or having conquered, so that neither is bleak or glutted or has the bad feeling of being used or misused.”
Hermann Hesse, Siddhartha

Henry Rollins
“I want a soul mate who can sit me down, shut me up, tell me ten things I don’t already know, and make me laugh. I don’t care what you look like, just turn me on. And if you can do that, I will follow you on bloody stumps through the snow. I will nibble your mukluks with my own teeth. I will do your windows. I will care about your feelings. Just have something in there.”
Henry Rollins

Henry Rollins
“It's hard to get along with people. As much as you try to like them and accept them as individuals, it becomes difficult because they keep getting out of line and wasting your time.”
Henry Rollins

Caitlin Moran
“When I hear women talking about how their wedding is going to be/was the best day of their life, I can’t help but think, You just haven’t taken enough MDMA in a field at 3 a.m., love.”
Caitlin Moran, How To Be A Woman

“Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix.

As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response.

Bekka smiled to herself.

This is what she lived for.”
Nathan Squiers, Death Metal

year in books
Vinayac...
5 books | 69 friends

Jithin ...
1 book | 89 friends





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