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Vera Brittain
“Perhaps now I shall one day rise, and be worthy of him who in his life both in peace and in war and in his death on the fields of France has shown me “the way more plain”. At any rate, if ever I do face danger and suffering with some measure of his heroism, it will be because I have learnt through him that love is supreme, that love is stronger than death and the fear of death.’ 8 Fortunately for the mental balance of average mankind, exalted emotions of this type do not as a rule last very long, but before mine relapsed once more into despondency, respite came from an undignified but not altogether unwelcome source.”
― Vera Brittain, Testament of Youth

Vera Brittain
“Why, I wondered, do people who at one time or another have all been young themselves, who ought therefore to know better, generalize so suavely and so mendaciously about the golden hours of youth--that period of life when every sorrow seems permanent and every setback insuperable?”
― Vera Brittain, Testament of Youth

Nancy Mitford
“I have often noticed that when women look at themselves in every reflection, and take furtive peeps into their looking-glasses, it is hardly ever, as is generally supposed, from vanity, but much more often from a feeling that all is not quite as it should be”
― Nancy Mitford, The Pursuit of Love

Vera Brittain
“I know that these things will never come back. I may see the rocks again, and smell the flowers, and watch the dawn sunshine chase the shadows from the old sulphuric-colored walls, but the light that sprang from the heightened consciousness of wartime, the glory seen by the enraptured ingenious eyes of twenty-two, will be upon them no more. I am a girl no longer, and the world, for all its excitements of chosen work and individualistic play, has grown tame in comparison with Malta during those years of our anguish.

It is, I think, this glamour, this magic, this incomparable keying up of the spirit in a time of mortal conflict, which constitute the pacifist’s real problem — a problem still incompletely imagined, and still quite unresolved. The causes of war are always falsely represented; its honour is dishonest and its glory meretricious, but the challenge to spiritual endurance, the intense sharpening of all the senses, the vitalising consciousness of common peril for a common end, remain to allure those boys and girls who have just reached the age when love and friendship and adventure call more persistently than at any later time. The glamour may be the mere delirium of fever, which as soon as war is over dies out and shows itself for the will-o’-the-wisp that it is, but while it lasts no emotion known to man seems as yet to have quite the compelling power of this enlarged vitality.”
― Vera Brittain, Testament of Youth

Mary Gabriel
“When one is young and on the threshold of life’s long deception, rashness is all. —Françoise Sagan1”
― Mary Gabriel, Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art

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