Kimberly

“My granddaughter. She ran away to experience the nascent stirrings of love (le nascenti agitazioni dell'amore—Cress remembered the words from a poem) and now love has run away from her. She's somewhere up there—and he pointed to the black hills—cradling a broken heart, attempting to understand the complexity of human emotion. Why it's left her diminished when not long ago she felt like a conqueror. And here am I thinking what words can give the experience value. How to explain to her that the improbability of love, which she feels will last forever, will one day shine its light again. What words of consolation can be offered? What words of reassurance can I give her that a life lived without the object of her love is still worthwhile and hers for the taking?”
― Sarah Winman, Still Life

“The world is sharp. So sharply in focus that my eyes see everything—in fact, beyond everything, if one can suspend the logic of that sentence. If you show me a painting of a bowl with citrons and figs and plums and pears, I can describe the woman who picked the fruit off the tree, and can describe her with such tenderness that I can see myself reflected in her iris, like a candle, the sole source of light. Show me a painting of a ray fish, dripping sea off a kitchen table, and I'll tell you about the man who caught it.”
― Sarah Winman, Still Life

“We're embarking on a world of new language and new systems. A world of stares and misunderstandings and humiliations and we'll feel every single one of them, boy. But we mustn't let our inability to know what's what diminish us. Because it'll try. We have to remains curious and open. Two words for you: ley lines.
Ley lines?
Straight lines of electromagnetic energy crisscrossing the Earth at special sites, drawing men and women—and ideas—to their mysterious pulse. We were drawn here, temps. No two ways about it. As many have been before. That Baedeker book? You know what it said?
Go on.
That 'even those whose usual avocations are of the most prosaic nature unconsciously become admirers of poetry and art in Italy.' Would that be so bad? To become an admirer of poetry and art? Until we figure it all out.
It wouldn't, Cress.
To be infused with all the city has to offer and has offered over the centuries? Our purpose revealing itself like the slow unfolding of an iris flower.
Ulysses grinned. It's started already, Cress.
What has?
The poetry.
Cress blushed and stood up. I'll get the cheese, he said.”
― Sarah Winman, Still Life

“All those moments, those years, were his now. To remember or to forget. That's what Ulysses said. So I choose to remember. The best man ever. And everything about him is vivid. And he is young. And he is laughing.”
― Sarah Winman, Still Life