“I used to get a big kick out of saving people’s lives. Now I wonder what the hell’s the point, since they all have to die anyway.”
“Oh, there’s a point, all right,” Dunbar assured him.
“Is there? What’s the point?”
“The point is to keep them from dying as long as you can.”
“Yeah, but what’s the point, since they all have to die anyway?”
“The trick is not to think about that.”
“Never mind the trick. What the hell’s the point?”
Dunbar pondered in silence for a few moments. “Who the hell knows.”
― Catch-22
“Oh, there’s a point, all right,” Dunbar assured him.
“Is there? What’s the point?”
“The point is to keep them from dying as long as you can.”
“Yeah, but what’s the point, since they all have to die anyway?”
“The trick is not to think about that.”
“Never mind the trick. What the hell’s the point?”
Dunbar pondered in silence for a few moments. “Who the hell knows.”
― Catch-22
“There's nothing mysterious about it, He's not working at all. He's playing. Or else He's forgotten all about us. That's the kind of God you people talk about, a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed. Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of Creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?”
― Catch-22
― Catch-22
“When I was a kid," Orr replied, "I used to walk around all day with crab apples in my cheeks. One in each cheek."
... A minute passed. "Why?" [Yossarian] found himself forced to ask finally.
Orr tittered triumphantly. "Because they're better than horse chestnuts... When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit."
"Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked."
"Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that."
"Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?"
"I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab applies in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks.”
― Catch-22
... A minute passed. "Why?" [Yossarian] found himself forced to ask finally.
Orr tittered triumphantly. "Because they're better than horse chestnuts... When I couldn't get crab apples," Orr continued, "I used horse chestnuts. Horse chestnuts are about the same size as crab apples and actually have a better shape, although the shape doesn't matter a bit."
"Why did you walk around with crab apples in your cheeks?" Yossarian asked again. "That's what I asked."
"Because they've got a better shape than horse chestnuts," Orr answered. "I just told you that."
"Why," swore Yossarian at him approvingly, "you evil-eyed, mechanically aptituded, disaffiliated son of a bitch, did you walk around with anything in your cheeks?"
"I didn't," Orr said, "walk around with anything in my cheeks. I walked around with crab applies in my cheeks. When I couldn't get crab apples I walked around with horse chestnuts. In my cheeks.”
― Catch-22
“Out of my thoughts! You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since – on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made, are not more real, or more impossible to displace with your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!”
― Great Expectations
― Great Expectations
“How she hated words, always coming between her and her life: they did the ravishing, if anything did: ready-made words and phrases, sucking all the live-sap out of living things.”
― Lady Chatterley's Lover
― Lady Chatterley's Lover
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