Lindsay Pierre

“It’s a lonely business, and then sometimes strangely claustrophobic, but this is it. This is what I wanted and what Liz was pulled away from, against her every fiber. This abstract performance art called Family Life is our one run at the ultimate improv. Our chance to be great for someone, to give another person enough of what they need to be happy. Ours to overlook or lose track of or bemoan, ours to recommit to, to apologize for, to try again for. Ours to watch disappear into their next self—toddler to tyke, tween to teen—ours to drop off somewhere and miss forever. It’s happening right now, whether we attend to it or not. Like after preparing a nutritious meal that no one really liked and a lot of blame-gaming over who forgot to take out the compost, your peevish, greasy “young adult” tramps off to take the shower she should have taken two days ago and the evening is shot to shit and not one minute of it looked like the thing you prayed for so long ago, but then you hear something. You head up the stairs, hover outside the bathroom door. “All the single ladies, all the single ladies…” — The kid is singing in the shower. Your profoundly ordinary kid is singing in the shower and you get to be here to hear it.”
― Kelly Corrigan, Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say

“The rage dissipates along with the love, and all we’re left with is a story.”
― Ann Patchett, Tom Lake

“In retrospect, my inability to put it together was its own sort of gift. I would understand what they were doing soon enough, at which point I would finally understand what I had done to Veronica. Veronica had such a small part in the story and still I loved her more than everyone at Tom Lake put together. She stayed with me after the rest of them had faded, maybe because we remember the people we hurt so much more clearly than the people who hurt us.”
― Ann Patchett, Tom Lake

“The problem with being the only woman in a play in which the three other characters were men and the playwright was a man and the director was a man was that no matter what I said, I sounded petulant, female.”
― Ann Patchett, Tom Lake