“Bros before hoes," said Jared. "By which of course I mean gardening tools, because I hold all the fine ladies of Sorry-in-the-Vale in the highest regard.”
― Unmade
― Unmade
“And she realized that she still wanted Jared when all thoughts of passion were dead, when other consolation seemed like a cruel joke — that she wanted to be with him when the thought of being with anyone else was unbearable, when the thought of someone else touching her made her want to scream.”
― Unmade
― Unmade
“She is great," said Jared. "And beautiful. She's like a star to me, something bright and lovely seen from another world. She's someone else's sun. That's how all other girls are to me. You're my sun.”
― Unmade
― Unmade
“The thing about hiking the Pacific Crest Trail, the thing that was so profound to me that summer—and yet also, like most things, so very simple—was how few choices I had and how often I had to do the thing I least wanted to do. How there was no escape or denial. No numbing it down with a martini or covering it up with a roll in the hay. As I clung to the chaparral that day, attempting to patch up my bleeding finger, terrified by every sound that the bull was coming back, I considered my options. There were only two and they were essentially the same. I could go back in the direction I had come from, or I could go forward in the direction I intended to go.”
― Wild: From Lost to Found on the Pacific Crest Trail
― Wild: From Lost to Found on the Pacific Crest Trail
“She imagines him imagining her. This is her salvation.
In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?”
― The Blind Assassin
In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?”
― The Blind Assassin
Shuang’s 2025 Year in Books
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