Lucy Put

“The pig winks and rolls in the bog. He kicks his legs up and his trotters clack together. The sun is low over the neighbourhood. There is the smell of oncoming night, of pollen settling, the sounds of kids fighting bath time. Lester comes down, waving his hands.
Don't drown the pig, Fish. We're saving him for Christmas! We're gonna eat him.
No!
I'll drink to that, says the pig.
Lester stands there. He looks at Fish. He looks at the porker. He peeps over the fence. The pig. The flamin' pig. The pig has just spoken. It's no language that he can understand, but there's no doubt. He feels a little crook, like maybe he should go over to that tree and puke.
I like him, Lestah.
He talks?
Yep.
Oh, my gawd.
Lester looks at his retarded son again and once more at the pig.
The pig talks.
I likes him.
Yeah, I bet.
The pig snuffles, lets off a few syllables: aka sembon itwa. It's tongues, that's what it is. A blasted Pentecostal pig.
And you understand him?
Yep. I likes him.
Always the miracles you don't need. It's not a simple world, Fish. It's not.”
― Tim Winton, Cloudstreet

“It’s sadness coming on like the old days, the vast seamless hopeless weight of sadness looking for a place to rest.”
― Tim Winton - Cloudstreet

“And you can't help but worry for them, love them, want for them - those who go on down the close, foetid galleries of time and space without you.”
― Tim Winton, Cloudstreet