Matthew Busick

“Suppose then that you began with the proposition that boredom was a kind of pain caused by unused powers, the pain of wasted possibilities or talents, and was accompanied by expectations of the optimum utilization of capacities. Nothing actual ever suits pure expectation and such purity of expectation is a great source of tedium. People rich in abilities, in sexual feeling, rich in mind and in invention - all the highly gifted see themselves shunted for decades onto dull sidings, banished exiled nailed up in chicken coops. Imagination has even tried to surmount the problem by forcing boredom itself to yield interest.”
― Saul Bellow, Humboldt's Gift

“Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death.”
― Saul Bellow, Humboldt's Gift

“In short, the observer is choked with observations. Only to prevent us from being submerged by chaos, nature and society between them have arranged a system of classification which is simplicity itself; stalls, boxes, amphitheatre, gallery. The moulds are filled nightly. There is no need to distinguish details. But the difficulty remains—one has to choose. For though I have no wish to be Queen of England or only for a moment—I would willingly sit beside her; I would hear the Prime Minister's gossip; the countess whisper, and share her memories of halls and gardens; the massive fronts of the respectable conceal after all their secret code; or why so impermeable? And then, doffing one's own headpiece, how strange to assume for a moment some one's—any one's—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain, more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; Lady Charles at the Manor.”
― Virginia Woolf, Jacob's Room

“The love of literature, of language, of the mystery of the mind and heart showing themselves in the minute, strange, and unexpected combinations of letters and words, in the blackest and coldest print—the love which he had hidden as if it were illicit and dangerous, he began to display, tentatively at first, and then boldly, and then proudly.”
― John Williams, Stoner