Maya

“This is how colonialism works. It convinces us that the fallout from resistance is entirely our fault, that the immoral choice is resistance itself rather than the circumstances that demanded it.”
― R.F. Kuang, Babel

“He loves her.
Of this he's certain.
He loves her laugh; that sharp, sudden sound; the cynical laugh that always comes too quick, like it's ripped out of her. He loves her quick, confident grin. He loves her resilience, her bravery, even her impulsiveness.
She's everything he's not: unbound, reckless, free. He's never known anyone like her.
She terrifies him, and he loves her so much it hurts.
In all of his worst nightmares, she's dying. She's fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers.
This he tells her.
He doesn't tell her that his hand holds the blade.”
― R.F. Kuang, The Burning God

“But the people who did get that love, they grew up to be different from us. More secure. Maybe they’re not as shiny or successful as you and I feel we have to be. But it’s not because they’re not interesting. They just don’t feel they have to do the tap dance, you know? They don’t have to prove themselves all the time to be loved. Because they always were.”
― Coco Mellors, Cleopatra and Frankenstein

“Betrayal. Translation means doing violence upon the original, means warping and distorting it for foreign, unintended eyes. So then where does that leave us? How can we conclude, except by acknowledging that an act of translation is then necessarily always an act of betrayal?”
― R.F. Kuang, Babel