Christoph

“Eusa 13.

Eusa was angre he was in rayj & he kep pulin on the Littl Man the Addoms owt strecht arms. The Littl Man the Addom he begun tu cum a part he cryd, I wan tu go I wan tu stay. Eusa sed, tel mor. The Addom sed, I wan tu dark, I wan tu lyt, I wan tu day I wan tu nyt. Eusa sed, tel mor. The Addom sed, I wan tu woman, I wan tu man. Eusa sed, tel mor. The Addom sed, I wan tu plus I wan tu minus, I wan tu big, I wan tu littl, I wan tu aul, I wan tu nuthing.”
― Russell Hoban, Riddley Walker

“There was a fine thing about that trout. I only wish I could have made a death mask of him. Not of his body though, but of his energy. I don't know if anyone would have understood his body. I put it in my creel.”
― Richard Brautigan, Trout Fishing in America / The Pill vs. the Springhill Mine Disaster / In Watermelon Sugar

“I have always thought that in revolutions, especially democratic revolutions, madmen, not those so called by courtesy, but genuine madmen, have played a very considerable political part. One thing is certain, and that is that a condition of semi-madness is not unbecoming at such times, and often even leads to success.”
― Alexis de Tocqueville, Recollections on the French Revolution

“The Pig Chef was - if you thought about it - one of the more sinister icons of American roadside art. Danny's personal totem. What kind of pig is a butcher? What kind of pig cooks barbeque? A traitor pig, a killer pig, a doomed preterite pig destined for eternal damnation. Danny's Pig Chefs showed the full weight of this knowledge in their mocking eyes and snaggled snouts.”
― Rudy Rucker, Mad Professor: The Uncollected Short Stories of Rudy Rucker