“One cannot write about Jonathan Strange and Mr. Norrell without considering the footnotes. The experienced reader is conditioned to see footnotes as dry, as a way of grounding the text in reality. But footnotes are also an intervention, or intrusion into the flow of the text, and Clarke takes advantage of this figuring. In Jonathan Strange and Mr. Norrell, it is in the footnotes that the world of the fantastic slips through to disrupt the meaning or common understanding of the tale told in the main text. The “explanation” they offer is of worlds slipping between each other, of uncontrolled contact with fairy.”
― Rhetorics of Fantasy
― Rhetorics of Fantasy
“Increasingly–and mirroring what was happening in American politics–Heinlein would attract single-issue or single-novel admirers. Starship Troopers was just the first inkling of this.”
― The Pleasant Profession of Robert A. Heinlein
― The Pleasant Profession of Robert A. Heinlein
“Whether readers loved or loathed a book, whether reading for pleasure or for criticism, there has been a repeated tendency to take the strongest character voice in a Heinlein novel as an authorial voice, as in Stranger in a Strange Land (1961), or in Time Enough for Love (1973); or to read a political system as either flawless and to be taken as a political rallying cry for libertarianism, as in The Moon is a Harsh Mistress (1966), or as a rallying cry for white supremacy, as in Farnham’s Freehold (1964). Neither extreme is true.”
― The Pleasant Profession of Robert A. Heinlein
― The Pleasant Profession of Robert A. Heinlein
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Souha’s 2025 Year in Books
Take a look at Souha’s Year in Books, including some fun facts about their reading.
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Fantasy, Fiction, History, Horror, Paranormal, Philosophy, Poetry, Psychology, Religion, Romance, Science, Science fiction, Self help, Suspense, Spirituality, Sports, Thriller, Travel, and Young-adult
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