Carolyn

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Jarod Kintz
“I’ve got a flesh-colored tattoo. I drew it myself. You should see it sometime, if only you could see it (it’s invisible).”
Jarod Kintz, This Book Has No Title

Brenda Ueland
“When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it.

When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on.

But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it.

And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care. ”
Brenda Ueland, If You Want to Write: A Book about Art, Independence and Spirit

Victoria Kahler
“It was amazing what an hour with her sketchpad could do for her mood. She was sure that the lines she drew with her black marker were going to save her years of worry lines in the future.”
Victoria Kahler, Their Friend Scarlet

Antony Sher
“This is a familiar syndrome. There is a stage with every drawing or painting when it looks banal and clumsy. It's worth pushing through that, working through the cliché to find out what made it a cliché in the first place.”
Antony Sher, Year Of The King

Lou Holtz
“It's not the load that breaks you down, it's the way you carry it.”
Lou Holtz

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