Lily

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Agustina Bazterrica
“Because hatred gives one strength to go on; it maintains the fragile structure, it weaves the threads together so that emptiness doesn’t take over everything. He wishes he could hate someone for the death of his son.”
Agustina Bazterrica, Tender Is the Flesh

Trisha  Das
“judgement and a ridiculously high-pitched voice, along with Marilyn Monroe hair and skimpy clothing. Let’s face it: What horror-movie buff didn’t secretly want the sexiest girl to die a gruesome death?”
Trisha Das, Never Meant to Stay

Robert Greene
“First and foremost, a Siren must distinguish herself from other women. She is by nature a rare thing, mythic, only one to a group; she is also a valuable prize to be wrested away from other men. Cleopatra made herself different through her sense of high drama; the Empress Josephine Bonaparte’s device was her extreme languorousness; Marilyn Monroe’s was her little-girl quality. Physicality offers the best opportunities here, since a Siren is preeminently a sight to behold. A highly feminine and sexual presence, even to the point of caricature, will quickly differentiate you, since most women lack the confidence to project such an image.”
Robert Greene, The Art of Seduction

Robert Greene
“Over the next few years, Marilyn taught herself through trial and error how to heighten the effect she had on men. Her voice had always been attractive—it was the voice of a little girl. But on film it had limitations until someone finally taught her to lower it, giving it the deep, breathy tones that became her seductive trademark, a mix of the little girl and the vixen. Before appearing on set, or even at a party, Marilyn would spend hours before the mirror. Most people assumed this was vanity—she was in love with her image. The truth was that image took hours to create. Marilyn spent years studying and practicing the art of makeup. The voice, the walk, the face and look were all constructions, an act. At the height of her fame, she would get a thrill by going into bars in New York City without her makeup or glamorous clothes and passing unnoticed.”
Robert Greene, The Art of Seduction

Agustina Bazterrica
“He knows he can raise her, that it’s permitted. He’s aware there are people who do so, and who eat their domestic head alive, part by part. They say the meat tastes better, claim it’s really fresh. Tutorials are available that explain how, when, and where to make the cuts so the product doesn’t die early.”
Agustina Bazterrica, Tender Is the Flesh

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