Lily

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Robert Greene
“Over the next few years, Marilyn taught herself through trial and error how to heighten the effect she had on men. Her voice had always been attractive—it was the voice of a little girl. But on film it had limitations until someone finally taught her to lower it, giving it the deep, breathy tones that became her seductive trademark, a mix of the little girl and the vixen. Before appearing on set, or even at a party, Marilyn would spend hours before the mirror. Most people assumed this was vanity—she was in love with her image. The truth was that image took hours to create. Marilyn spent years studying and practicing the art of makeup. The voice, the walk, the face and look were all constructions, an act. At the height of her fame, she would get a thrill by going into bars in New York City without her makeup or glamorous clothes and passing unnoticed.”
Robert Greene, The Art of Seduction

Carrie Fisher
“It struck me today that the people that have had an impact on me are the people who didn't make it. Marilyn Monroe, Judy Garland, Montgomery Clift, Lenny Bruce, Janis Joplin, John Belushi. It's not Making It to be Marilyn Monroe, but it is to me.

In our culture these people are heroes. There's something inside of that- a message that killing yourself like that isn't so bad. All the interesting people do it, the extraordinary ones. A weird, weird message. Most of the people I've admired in show business-comedians, writers, actors-are alcoholics or drug addicts or suicides. It's bizarre. And I get to be in that club now. It's the one thing I cling to in here: Wow, I'm hip now, like the dead people.

Romancing the stoned.”
Carrie Fisher, Postcards from the Edge

Agustina Bazterrica
“He knows he can raise her, that it’s permitted. He’s aware there are people who do so, and who eat their domestic head alive, part by part. They say the meat tastes better, claim it’s really fresh. Tutorials are available that explain how, when, and where to make the cuts so the product doesn’t die early.”
Agustina Bazterrica, Tender Is the Flesh

Arthur Miller
“There’s no explaining a person like that [Marilyn Monroe]… terrible.”
Arthur Miller

Robert Greene
“First and foremost, a Siren must distinguish herself from other women. She is by nature a rare thing, mythic, only one to a group; she is also a valuable prize to be wrested away from other men. Cleopatra made herself different through her sense of high drama; the Empress Josephine Bonaparte’s device was her extreme languorousness; Marilyn Monroe’s was her little-girl quality. Physicality offers the best opportunities here, since a Siren is preeminently a sight to behold. A highly feminine and sexual presence, even to the point of caricature, will quickly differentiate you, since most women lack the confidence to project such an image.”
Robert Greene, The Art of Seduction

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