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“Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound. In fact, there is basically a revolving door between our urban and rural ghettos and the formal ghetto of our prison system.”
― Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

“Nothing about the daily workings of the prison system focuses its inhabitants’ attention on what life back on the outside, as a free citizen, will be like. The life of the institution dominates everything. This is one of the awful truths of incarceration, the fact that the horror and the struggle and the interest of your immediate life behind prison walls drives the “real world” out of your head. That makes returning to the outside difficult for many prisoners.”
― Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

“Every human being makes mistakes and does things they’re not proud of. They can be everyday, or they can be catastrophic. And the unfortunate truth of being human is that we all have moments of indifference to other people’s suffering. To me, that’s the central thing that allows crime to happen: indifference to other people’s suffering. If you’re stealing from someone, if you’re hurting them physically, if you’re selling them a product that you know will hurt them—the thing that allows a person to do that is that they somehow convince themselves that that’s not relevant to them. We all do things that we’re not proud of, even though they might not have as terrible consequences.”
― Piper Kerman, Orange Is the New Black: My Year in a Women's Prison

“Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role. But our jailers are generally granted near-total anonymity, like the cartoon executioner who wears a hood to conceal his identity. What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it's dealt in a way so offhand and indifferent?”
― Piper Kerman, Orange Is the New Black