Yiğit Gökçen

“It seemed so easy for so many people to divide war from peace, to confine their definitions to the unambivalent. Marching soldiers, pitched battles and slaughter. Locked armouries, treaties, fêtes and city gates opened wide. But Fiddler knew that suffering thrived in both realms of existence – he’d witnessed too many faces of the poor, ancient crones and babes in a mother’s arms, figures lying motionless on the roadside or in the gutters of streets – where the sewage flowed unceasing like rivers gathering their spent souls. And he had come to a conviction, lodged like an iron nail in his heart, and with its burning, searing realization, he could no longer look upon things the way he used to, he could no longer walk and see what he saw with a neatly partitioned mind, replete with its host of judgements – that critical act of moral relativity – this is less, that is more. The truth in his heart was this: he no longer believed in peace. It did not exist except as an ideal to which endless lofty words paid service, a litany offering up the delusion that the absence of overt violence was sufficient in itself, was proof that one was better than the other. There was no dichotomy between war and peace – no true opposition except in their particular expressions of a ubiquitous inequity. Suffering was all-pervasive. Children starved at the feet of wealthy lords no matter how secure and unchallenged their rule.”
― Steven Erikson, The Bonehunters

“Some wounds never heal, and that man has just taken such a wounding.”
― Steven Erikson, Memories of Ice

“money’s just an idea, it has power. Only it’s not real power. Just the promise of power. But that promise is enough so long as everyone keeps pretending it’s real. Stop pretending and it all falls apart.”
― Steven Erikson, Midnight Tides

“As they walked, Tehol spoke. ‘…the assumption is the foundation stone of Letherii society, perhaps all societies the world over. The notion of inequity, my friends. For from inequity derives the concept of value, whether measured by money or the countless other means of gauging human worth. Simply put, there resides in all of us the unchallenged belief that the poor and the starving are in some way deserving of their fate. In other words, there will always be poor people. A truism to grant structure to the continual task of comparison, the establishment through observation of not our mutual similarities, but our essential differences. ‘I know what you’re thinking, to which I have no choice but to challenge you both. Like this. Imagine walking down this street, doling out coins by the thousands. Until everyone here is in possession of vast wealth. A solution? No, you say, because among these suddenly rich folk there will be perhaps a majority who will prove wasteful, profligate and foolish, and before long they will be poor once again. Besides, if wealth were distributed in such a fashion, the coins themselves would lose all value—they would cease being useful. And without such utility, the entire social structure we love so dearly would collapse. ‘Ah, but to that I say, so what? There are other ways of measuring self-worth. To which you both heatedly reply: with no value applicable to labour, all sense of worth vanishes! And in answer to that I simply smile and shake my head. Labour and its product become the negotiable commodities. But wait, you object, then value sneaks in after all! Because a man who makes bricks cannot be equated with, say, a man who paints portraits. Material is inherently value-laden, on the basis of our need to assert comparison—but ah, was I not challenging the very assumption that one must proceed with such intricate structures of value? ‘And so you ask, what’s your point, Tehol? To which I reply with a shrug. Did I say my discourse was a valuable means of using this time? I did not. No, you assumed it was. Thus proving my point!’ ‘I’m sorry, master,’ Bugg said, ‘but what was that point again?’ ‘I forget. But we’ve arrived. Behold, gentlemen, the poor.”
― Steven Erikson, Midnight Tides