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“To live is the rarest thing in the world. Most people exist, that is all.”
―
―
“Man fears the darkness, and so he scrapes away at the edges of it with fire. He creates life by diminishing the Darkness.”
― End of Evangelion
― End of Evangelion
“This is roughly the worldview for Neon Genesis Evangelion. This is a worldview drenched in a vision of pessimism. A worldview where the story starts only after any traces of optimism have been removed.
[...]
They say, "To live is to change." I started this production with the wish that once the production complete, the world, and the heroes would change. That was my "true" desire. I tried to include everything of myself in Neon Genesis Evangelion-myself, a broken man who could do nothing for four years. A man who ran away for four years, one who was simply not dead. Then one thought. "You can't run away," came to me, and I restarted this production. It is a production where my only thought was to burn my feelings into film. I know my behavior was thoughtless, troublesome, and arrogant. But I tried. I don't know what the result will be. That is because within me, the story is not yet finished. I don't know what will happen to Shinji, Misato or Rei. I don't know where life will take them. Because I don't know where life is taking the staff of the production. I feel that I am being irresponsible. But... But it's only natural that we should synchronize ourselves with the world within the production. I've taken on a risk: "It's just an imitation." And for now I can only write this explanation. But perhaps our "original" lies somewhere within there.”
―
[...]
They say, "To live is to change." I started this production with the wish that once the production complete, the world, and the heroes would change. That was my "true" desire. I tried to include everything of myself in Neon Genesis Evangelion-myself, a broken man who could do nothing for four years. A man who ran away for four years, one who was simply not dead. Then one thought. "You can't run away," came to me, and I restarted this production. It is a production where my only thought was to burn my feelings into film. I know my behavior was thoughtless, troublesome, and arrogant. But I tried. I don't know what the result will be. That is because within me, the story is not yet finished. I don't know what will happen to Shinji, Misato or Rei. I don't know where life will take them. Because I don't know where life is taking the staff of the production. I feel that I am being irresponsible. But... But it's only natural that we should synchronize ourselves with the world within the production. I've taken on a risk: "It's just an imitation." And for now I can only write this explanation. But perhaps our "original" lies somewhere within there.”
―
“When religion becomes artificial, art has a duty to rescue it. Art can show that the symbols which religions would have us believe literally true are actually figurative. Art can idealize those symbols, and so reveal the profound truths they contain.”
―
―
“As I have said on another occasion: being 'Aryan' [Divine] is not the point, becoming 'Aryan' [Divine] is what matters. In this respect an enormous task remains to be fulfilled by all of us: the inner liberation from entangling and ensnaring Semitism [Matrix]. This is about the fundamental thinking of all world-views and all religion; there — at the beginning — the roads divide . . . leave the high roads and climb the steep mountain path — the Devayana of the ancient Aryans — that leads to the high summits. Never forget this one thing: by thinking alone thinking can be liberated; he who doesn't have the courage or the staying power to rethink the thoughts of the Aryan race of thinkers, is and will remain a servant, regardless his ancestry, for he is mentally imprisoned, blind, bound to earth.”
― Aryan World-view
― Aryan World-view
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