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John Green
“It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls' bodies ease from one place to another, from arc to the foot to ankle to calf, from calf to hip to wait to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I'd noticed curves before, of course, but I had never quite apprehended their significance.”
John Green, Looking for Alaska

John Green
“It always seemed ridiculous to me that people would want to be around someone because they're pretty. It's like picking your breakfast cereals based on color instead of taste.”
John Green, Paper Towns

John Green
“I must talk, and you must listen, for we are engaged here in the most important pursuit in history: the search for meaning. What is the nature of being a person? What is the best way to go about being a person? How did we come to be, and what will become of us when we are no longer? In short: What are the rules of this game, and how might we best play it?”
John Green, Looking for Alaska

John Green
“But there are a thousand ways to look at it: maybe the strings break, or maybe our ship s sink, or maybe we're grass--our roots so interdependent that no one is dead as long as someone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters.”
John Green, Paper Towns

John Green
“I still think that maybe the "afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe we are just matter, and matter gets recycled”
John Green, Looking for Alaska

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