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Neal Stephenson
“If she screws up this delivery, that means she's double-crossing God, who may or may not exist, and in any case who is capable of forgiveness. The Mafia definitely exists and hews to a higher standard of obedience.”
Neal Stephenson, Snow Crash

Neal Stephenson
“As Hiro crests the pass on his motorcycle at five in the morning, the town of Port Sherman, Oregon, is suddenly laid out before him: a flash of yellow loglo wrapped into a vast U-shaped valley that was ground out of the rock, a long time ago, by a big tongue of ice in an epochal period of geological cunnilingus.”
Neal Stephenson, Snow Crash

Alan W. Watts
“Through our eyes, the universe is perceiving itself. Through our ears, the universe is listening to its harmonies. We are the witnesses through which the universe becomes conscious of its glory, of its magnificence.”
Alan Wilson Watts

John Fowles
“To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape.”
John Fowles, The Magus

Ursula K. Le Guin
“SCIENCE FICTION IS OFTEN DESCRIBED, AND EVEN DEFINED, as extrapolative. The science fiction writer is supposed to take a trend or phenomenon of the here-and-now, purify and intensify it for dramatic effect, and extend it into the future. “If this goes on, this is what will happen.” A prediction is made. Method and results much resemble those of a scientist who feeds large doses of a purified and concentrated food additive to mice, in order to predict what may happen to people who eat it in small quantities for a long time. The outcome seems almost inevitably to be cancer. So does the outcome of extrapolation. Strictly extrapolative works of science fiction generally arrive about where the Club of Rome arrives: somewhere between the gradual extinction of human liberty and the total extinction of terrestrial life.

This may explain why many people who do not read science fiction describe it as “escapist,” but when questioned further, admit they do not read it because “it’s so depressing.”
Ursula K. Le Guin, The Left Hand of Darkness

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