Nafew Harbaryormy

“analogue tape is notoriously forgiving on transient peaks, applying small amounts of tape saturation (or distortion) on the occasional stray hit, and thereby keeping the transient levels in some degree of order. Of course, in an entirely digital production chain, it’s highly likely that these transient peaks have passed through the majority of recording and mixing without any of these pleasant ‘non-linearities’ slipping in, and therefore the average level is several decibels quieter than a comparable analogue recording.”
― Mark Cousins, Practical Mastering: A Guide to Mastering in the Modern Studio