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“People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.”
― The Rescue
― The Rescue
“It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.”
―
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.”
―
“Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice.
Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it?
Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?
Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?”
― The Blade Itself
Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it?
Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?
Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?”
― The Blade Itself
“Adventure is just bad planning.”
―
―
“Does it matter?" Halt asked.
Horace shrugged. "Not really, I suppose. I just wondered why you'd gone to the kitchen and why you took the trouble to remain unseen. Were you hiding from Master Chubb yourself? And Will just turned up by coincidence?"
"And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again. Horace shrugged innocently.
"Well,there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?"
Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?"
His voice and body language simply reeked of injured dignity.
"Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little.
"I just thought I'd give you the opportunity to confess," Horace added. This time, Malcolm couldn't conceal his sudden explosion of laughter. Halt gave them both a withering glance.
"You know, Horace," he said at length, "you used to be a most agreeable young man. Whatever happened to you?"
Horace turned a wide grin on him. "I've spent too much time around you, I suppose," he said.
And Halt had to admit that was probably true.”
― Halt's Peril
Horace shrugged. "Not really, I suppose. I just wondered why you'd gone to the kitchen and why you took the trouble to remain unseen. Were you hiding from Master Chubb yourself? And Will just turned up by coincidence?"
"And why would I be hiding from Master Chubb in his own kitchen?" Halt challenged. Again. Horace shrugged innocently.
"Well,there was a tray of freshly made pies airing on the windowsill, wasn't there? And you're quite fond of pies, aren't you, Halt?"
Halt drew himself up very straight in the saddle. "Are you accusing me of sneaking into that kitchen to steal the pies for myself? Is that it?"
His voice and body language simply reeked of injured dignity.
"Of course not, Halt!" Horace hurried to assure him, and Halt's stiff-shouldered form relaxed a little.
"I just thought I'd give you the opportunity to confess," Horace added. This time, Malcolm couldn't conceal his sudden explosion of laughter. Halt gave them both a withering glance.
"You know, Horace," he said at length, "you used to be a most agreeable young man. Whatever happened to you?"
Horace turned a wide grin on him. "I've spent too much time around you, I suppose," he said.
And Halt had to admit that was probably true.”
― Halt's Peril
Abby’s 2025 Year in Books
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