Gigi Zhang

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Matthew Quick
“She looks sad. She looks angry. She looks different from everyone else I know—she cannot put on that happy face others wear when they know they are being watched. She doesn’t put on a face for me, which makes me trust her somehow.”
Matthew Quick, The Silver Linings Playbook

Philip Roth
“You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of misperception. And yet what are we to do about this terribly significant business of "other people," which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill-equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that—well, lucky you.”
Philip Roth, American Pastoral

Haruki Murakami
“Even chance meetings are the result of karma… Things in life are fated by our previous lives. That even in the smallest events there’s no such thing as coincidence.”
Haruki Murakami, Kafka on the Shore

Tillie Olsen
“An old man, Elias Caldwell, death already smothering his breast, tries to tell a child something of all he has learned, something of what he would have her live by – and hears only incoherent words come out. Yet the thoughts revolve, revolve and whirl, a scorching nebula in his breast, sending forth flaming suns that only shatter against the walls and return to chaos. How can it be said? Once I lived in softness and ease and sickened. Once I chose a stern life, turning to people hard, bitter and strong – obscure people, the smell of soil and sweat about them – the smell of life…But I failed. I brought them nothing. To die, how bitter when nothing was done with my life. And the nebula whirls and revolves, sending its scorching suns that break in a chaos of inarticulateness about this child with a sound of fear. Nothing of it said.”
Tillie Olsen, Yonnondio: From the Thirties

George Eliot
“...when Maggie became conscious that she was the person he sought, she felt, in spite of all the thought that had gone before, a glowing gladness at heart. Her eyes and cheeks were still brightened with her childlike enthusiasm in the dance; her whole frame was set to joy and tenderness; even the coming pain could not seem bitter -- she was ready to welcome it as a part of life, for life at this moment seemed a keen vibrating consciousness poised above please or pain. This one, this last night, she might expand unrestrainedly in the warmth of the present without those chill, eating thoughts of the past and the future.”
George Eliot, The Mill on the Floss

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