Maximus

“Peter—do please be happy. I mean, you’ve always been the comfortable sort of person that nothing could touch. Don’t alter, will you?” That was the second time Wimsey had been asked not to alter himself; the first time, the request had exalted him; this time, it terrified him. As the taxi lurched along the rainy Embankment, he felt for the first time the dull and angry helplessness which is the first warning stroke of the triumph of mutability. Like the poisoned Athulf in the Fool’s Tragedy, he could have cried, “Oh, I am changing, changing, fearfully changing.” Whether his present enterprise failed or succeeded, things would never be the same again.”
― Dorothy L. Sayers, Strong Poison

“... protested Mrs. Featherstone, a lady in her thirties, whose violently compressed figure suggested that she was engaged in a perpetual struggle to compute her weight in terms of the first syllables of her name rather than the last.”
― Dorothy L. Sayers, Strong Poison

“My dear child, you can give it a long name if you like, but I'm an old-fashioned woman and I call it mother-wit, and it's so rare for a man to have it that if he does you write a book about him and call him Sherlock Holmes.”
― Dorothy L. Sayers, Clouds of Witness

“Jerott, for God’s sake! Are you doing this for a wager?’ said Lymond, his patience gone at last. ‘What does anyone want out of life? What kind of freak do you suppose I am? I miss books and good verse and decent talk. I miss women, to speak to, not to rape; and children, and men creating things instead of destroying them. And from the time I wake until the time I find I can’t go to sleep there is the void—the bloody void where there was no music today and none yesterday and no prospect of any tomorrow, or tomorrow, or next God-damned year.”
― Dorothy Dunnett, The Disorderly Knights