Michelle

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Simply More: A Bo...
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Sara Bareilles
“You are overwhelmed and haven’t learned to be your own friend through this yet. You will. Your fear of jumping without a net is so valid, and the trick that you haven’t learned yet is that that’s life, always and everywhere. There are no nets. Life is a big, long free fall, and the sooner you can embrace what is beautiful about that, the sooner you will start to enjoy the ride.”
Sara Bareilles, Sounds Like Me: My Life (So Far) in Song

Rebecca Traister
“Rose McGowan, one of Weinstein's earliest and most vociferous accusers, recalled being asked "in a soft NPR voice, 'What if what you're saying makes men uncomfortable?' Good. I've been uncomfortable my whole life. Welcome to our world of discomfort.”
Rebecca Traister, Good and Mad: The Revolutionary Power of Women's Anger

“Queens and goddesses forget nothing, except when it suits them.”
Sara Donati, The Gilded Hour

Rebecca Traister
“Well, now those young women had gotten angry. And some older women were rearing back in horror at the force of their rage, and at the fact that a lot of that rage involved interrogating the whole system within which their feminist elders had risen. This moment was asking not just men but the pioneering women who'd succeeded alongside them to reckon with what had not been changed by feminism, how much gendered inequity older feminists had decided to live with, to participate in.”
Rebecca Traister, Good and Mad: The Revolutionary Power of Women's Anger

Richard Flanagan
“She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.”
Richard Flanagan, The Narrow Road to the Deep North

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