Lorena Valdez

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Sylvia Plath
“In Plaster

I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.

At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body

And I was scared, because she was shaped just the way I was 


Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.

I couldn't understand her stupid behavior!

When I hit her she held still, like a true pacifist.

Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.



Without me, she wouldn't exist, so of course she was grateful.

I gave her a soul, I bloomed out of her as a rose

Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,

Not her whiteness and beauty, as I had at first supposed.

I patronized her a little, and she lapped it up --

You could tell almost at once she had a slave mentality.



I didn't mind her waiting on me, and she adored it.

In the morning she woke me early, reflecting the sun

From her amazingly white torso, and I couldn't help but notice

Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,

Holding my bones in place so they would mend properly.
In time our relationship grew more intense.



She stopped fitting me so closely and seemed offish.

I felt her criticizing me in spite of herself,

As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.

And my skin itched and flaked away in soft pieces

Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.

She wanted to leave me, she thought she was superior,

And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!

And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,

And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.



I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way

Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.

I used to think we might make a go of it together --

After all, it was a kind of marriage, being so close.

Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,

But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,

And she'll perish with emptiness then, and begin to miss me.

--written 26 Feburary 1961”
Sylvia Plath, The Collected Poems

Friendship ... is born at the moment when one man says to another What! You
“Friendship ... is born at the moment when one man says to another "What! You too? I thought that no one but myself . . .”
C.S. Lewis, The Four Loves

Cassandra Clare
“Have you fallen in love with the wrong person yet?'
Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself."
..."At least," she said, "you don't have to worry about rejection, Jace Wayland."
"Not necessarily. I turn myself down occasionally, just to keep it interesting.”
Cassandra Clare, City of Bones

Marilyn Monroe
“Sometimes things fall apart so that better things can fall together”
Marilyn Monroe

Bernard Malamud
“Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.”
Bernard Malamud, The Magic Barrel

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