s. moon
https://www.goodreads.com/sadief
“The skulls were there and I could say something with them. To me they are as beautiful as anything I know. To me they are strangely more living than the animals walking around -- hair, eyes and all, with the tails switching. The bones seem to cut sharply to the center of something that is keenly alive on the desert even though it is vast and empty and untouchable-- and knows no kindness with all its beauty.”
―
―
“Cinema is a language. It can say things—big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you’ve got time and sequences. You’ve got dialogue. You’ve got music. You’ve got sound effects. You have so many tools. And you can express a feeling and a thought that can’t be conveyed any other way. Its a magical medium. For me, it’s so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. Its not just words or music-it’s a whole range of elements coming together and making something that didn’t exist before. It’s telling stories. It’s devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that’s what cinema can do.”
― Catching the Big Fish: Meditation, Consciousness, and Creativity
― Catching the Big Fish: Meditation, Consciousness, and Creativity
“The morning is the best time, there are no people around. My pleasant disposition likes the world with nobody in it.”
―
―
“I was mistaken
when I said you
live in my heart.
How absurd I was
when you live in my
fingertips so that everything
I touch is you. How foolish
I was when you live in my toes
so that everywhere I go there's you.
How senseless of me to say
you live in my heart
when you breathe in my lungs,
walk on my mind, and
drink in my mouth. I came to
pen another poem for you,
but even every unwritten poem
is you.”
―
when I said you
live in my heart.
How absurd I was
when you live in my
fingertips so that everything
I touch is you. How foolish
I was when you live in my toes
so that everywhere I go there's you.
How senseless of me to say
you live in my heart
when you breathe in my lungs,
walk on my mind, and
drink in my mouth. I came to
pen another poem for you,
but even every unwritten poem
is you.”
―
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