“I said I splendidly loved you; it’s not true.
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls–on you–
The clean clear bitter-sweet that’s not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But–there are wanderers in the middle mist,
Who cry for shadows, clutch, and cannot tell
Whether they love at all, or, loving, whom:
An old song’s lady, a fool in fancy dress,
Or phantoms, or their own face on the gloom;
For love of Love, or from heart’s loneliness.
Pleasure’s not theirs, nor pain. They doubt, and sigh,
And do not love at all. Of these am I”
― The Collected Poems
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls–on you–
The clean clear bitter-sweet that’s not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But–there are wanderers in the middle mist,
Who cry for shadows, clutch, and cannot tell
Whether they love at all, or, loving, whom:
An old song’s lady, a fool in fancy dress,
Or phantoms, or their own face on the gloom;
For love of Love, or from heart’s loneliness.
Pleasure’s not theirs, nor pain. They doubt, and sigh,
And do not love at all. Of these am I”
― The Collected Poems
“It’s the Longing that ultimately undoes you. When it finds you, it gnaws at your bones and tugs at your chest. It fills you up inside like rot and makes you dream dreams and it drowns you. The Longing keeps you in bed, clutching at your sheets while the world goes on outside. It smells like old leaves and cigarette smoke, mixed with the scent of far-off places you will hear of, but never see. It’s the gloss on a lover’s lips the moment you realize you will never kiss those lips again. It is the bittersweet, unrequited love of creation and it will break your heart again and again and again. If you know the Longing the way I do, then these words are redundant. We understand each other perfectly, you and I.”
― House of Mystery, Volume 1: Room and Boredom
― House of Mystery, Volume 1: Room and Boredom
“By the time I left to go downtown for supper, I was at the high point just short of where intoxication begins to droop into clumsiness or melancholy; and the minute I was outdoors the streets, in the very beautiful late of afternoon weather, improved, that if it can be improved, with the feeling of being alone for a little while, and with the sharp, tender enjoyment of a city I am ordinarily tired in.”
―
―
“I am the saint at prayer on the terrace like the peaceful beasts that graze down to the sea of Palestine.
I am the scholar of the dark armchair. Branches and rain hurl themselves at the windows of my library.
I am the pedestrian of the highroad by way of the dwarf woods; the roar of the sluices drowns my steps. I can see for a long time the melancholy wash of the setting sun.
I might well be the child abandoned on the jetty on its way to the high seas, the little farm boy following the lane, its forehead touching the sky.
The paths are rough. The hillocks are covered with broom. The air is motionless. How far away are the birds and the springs! It can only be the end of the world ahead.”
―
I am the scholar of the dark armchair. Branches and rain hurl themselves at the windows of my library.
I am the pedestrian of the highroad by way of the dwarf woods; the roar of the sluices drowns my steps. I can see for a long time the melancholy wash of the setting sun.
I might well be the child abandoned on the jetty on its way to the high seas, the little farm boy following the lane, its forehead touching the sky.
The paths are rough. The hillocks are covered with broom. The air is motionless. How far away are the birds and the springs! It can only be the end of the world ahead.”
―
“I have neither the scholar's melancholy, which is emulation; nor the musician's, which is fantastical; nor the courtier's, which is proud; not the soldier's which is ambitious; nor the lawyer's, which is politic; nor the lady's, which is nice; nor the lover's, which is all these: but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation of my travels, which, by often rumination, wraps me in a most humorous sadness.”
―
―
Franjo’s 2024 Year in Books
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